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riotpoof [ALL REVIEWERS]
Companies Reviewed#
Neighborhood Playhouse1
Average Rating Given : 5.00000
Reviews in Last 6 months :

Bell, Book, and Candle, by John Van Druten
Well worth seeing!!
Sunday, October 17, 2004
When I first heard of this play, I thought, "why do such an obscure play?" Worse, I had seen the movie years ago, and really, wasn't all that impressed - typical washes of good guy struggles to make sense of his surreal world were apparent in this "classic" film. Yes, I know that the idea of "magic" played well into the hands of Halloween mischief this month, but why do this play? I have been moderately unimpressed by many modern dramatists ability to pursue the heartier themes of life without coming across as pretentious or missing the point entirely. Curious, I attended this play - and ... loved it. Truth be told, the set and costumes were as good as they can be within the parameters of the world of the play - its not like we are witnessing elaborately beaded outfits, or ingenious set devices ... my focus here is on the world of the play, the purpose for the play, the life - humor and obstacles of the characters. Why do this play? As hoakey as it sounds: because the play captures what the movie did not. Love is an elusive fellow - we are caught under its spell, we feel bewitched, we float through the euphoria of the feeling - then WHAM! - we get scared, we question, we fight it, we struggle with the reality (not the dream) of what that other person is, and question whether or not we can make it to the other side, whether or not we can deal with the obstacles, the meddling family, the fear, and more so the easy choices v. the hard choices. There are some awkward moments in which the play switches gears from scene to scene (could be handled with a good fade to black in film) - but otherwise, right on target. This is all going to sound like mumbo jumbo if you are not aware of the story line of this play ... Aside from a very decent theme and plot structure, I will say that the Life is breathed into this play by a talented team of actors. I buy that they are the characters. I look forward to what happens next, because of their commitment to the world of the play. And lest this becomes a Shep fansite - I agree with rollotomasi (good name!) - Jason Vaughn is superb. He has an air of effortless acting, relaxed, real, and electric. You feel for him, and start wondering why the world doesn't have more Shep's! Also agreed - Coco is a riot as Queenie. Can you say fun, fun, and fun?

Bottom Line: This play is a very good time. It will tickle your funny bone and tug at your heart. It was money well spent, in my opinion. But don't take my word for it. See it for yourself and let me know if you agree.

Billy Goats Gruff
by Davies
Capitol City Opera Company
Billy Goats Gruff
by Davies
Capitol City Opera Company
Man of La Mancha
by Dale Wasserman, Joe Darion, and Mitch Leigh
Capitol City Opera Company
9 to 5: The Musical
by Songs by Dolly Parton, Book by Patricia Resnick
Onstage Atlanta, Inc.
August Summer Harvest 2016, The Lakeside Plays
by jpbeck
Onion Man Productions
Billy Goats Gruff
by Davies
Capitol City Opera Company
God of Carnage
by Yasmina Reza
Pumphouse Players
Improv Monster
by Jackpie Theatre Workshop
Jackpie Theatre Workshop
Man of La Mancha
by Dale Wasserman, Joe Darion, and Mitch Leigh
Capitol City Opera Company
Once Upon a Murder
by Marc Farley
Agathas: A Taste of Mystery
Stealing Home
by Pat Cook
Live Arts Theatre
The Bridges of Madison County
by Marsha Norman (book) & Jason Robert Brown (songs)
Aurora Theatre
The Foreigner
by Larry Shue
Lionheart Theatre Company
The Legend of Georgia McBride
by Matthew Lopez
Actor's Express

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