A User-Driven Site for Theater in Atlanta, Georgia
theaterreviewjimmyd [ALL REVIEWERS]
Companies Reviewed#
Alliance Theatre Company1
PushPush Theater1
Actor's Express1
Average Rating Given : 3.33333
Reviews in Last 6 months :

The Laramie Project, by Moises Kaufman & members of The Tectonic Theater Project
moving and well acted
Friday, September 14, 2001
The set is spare and desolate, which is good. The acting is in general excellent. Each actor plays multiple characters, and in every case pulls it off well. The script is moving and sad, particularly since it's all based on truth. I got teary several times during the show. It's beautiful.

That said, it's not perfect. The script included what appeared to me to be irrelevant commentary from the play's authors, who really had nothing to do with what happened. Seemed a little self-indulgent. Also, out-of-character motion on stage was stylized to the point of being a little distracting. Finally, though the show is sad, it's kind of predictably sad. It's not particularly thought provoking, and there weren't lines or images that I think will stick with me.

Overall, see this show, it's very good.

Art, by Yasmina Reza (translated by Christopher Hampton)
overacted, but a touching script
Friday, June 1, 2001
Art seems to be about reliance on other people for your identity, and talking about superficial issues in place of the real ones. I liked the script. Not flawless, but good. The set is gorgeous. The acting is overdone. Kayser overacts, but not as badly as Leon. I just couldn't believe that people could talk like that. I did get teary near the end, so it is a moving piece overall. I also wasn't crazy about some of the blocking and other directing choices (timing, etc.)

16 Routines, by Murray Mednick
Weird, but draws you in.
Friday, June 1, 2001
16 Routines is a strange play that doesn't appear to have much of a story, at least on one viewing. The characters all act very strangely. However, the words are consistently interesting, and I can't wait to see this play again. The script is full of good ideas.

The acting is consistently good throughout. Push push is a good space for a show like this.

BattleActs! Summer Better Others 2019
Laughing Matters
Almost, Maine
by John Cariani
Centerstage North Theatre
Daddy Long Legs
by John Caird (book) and Paul Gordon (songs)
The Legacy Theatre
Friel Deal Two Plays After Anton Chekhov
by Brian Friel
Hands of Color
by Kimberly Monks
Synchronicity Performance Group
by Charly Evon Simpson
Actor's Express
Midnight at the Masquerade
by The Murder Mystery Company
The Murder Mystery Company in Atlanta
by Topher Payne
Onstage Atlanta, Inc.
Murder Impossible: Fortnight Edition
by Marc Farley
Agathas: A Taste of Mystery
by Lionel Bart
Atlanta Lyric Theatre
by John Logan
Yard Dogs Ensemble
Tapas IV, The Great Divide
by Benedict, Bray, Bruna, Freeman, Martin, Shima, Steadman, Whitehorn, Wang,
Academy Theatre
The Cake
by Bekah Brunstetter
Horizon Theatre Company
by Adapted by Nina Faso, Stephen Schwartz, Gordon Greenberg; Songs by Lin-Manuel Miranda, Schwartz, Craig Carnelia, James Taylor, Micki Grant, etc.
Out of Box Theatre

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