SUBMIT ABOUT FAQ
PEOPLE COMPANIES VENUES
LOGIN NEW USER PRODUCTIONS
REVIEWERS SIX DEGREES
A User-Driven Site for Theater in Atlanta, Georgia
On the Verge, or the Geography of Yearning

a Comedy
CATEGORY : COMEDY
by Eric Overmyer

COMPANY : Georgia Ensemble Theatre [WEBSITE]
VENUE : Georgia Ensemble Theatre and Conservatory [WEBSITE]
ID# 4995

SHOWING : November 03, 2016 - November 20, 2016

[REVIEW THIS PRODUCTION]

PRODUCTION DESCRIPTION

Three American women explorers begin their trek to Terra Incognita in 1888. Part "Twilight Zone," part "Back to the Future," don’t miss this witty and whimsical safari through place and time.


CAST & CREW LIST
Director Carolyn Cook
Fanny Park Krausen
Grover, Alphonse, The Gorge Troll, The Y Topher Payne
Alexandra Michelle Pokopac
Mary Keena Redding-Hunt
Click to Submit Cast & Crew Info for this production
REVIEWS

[REVIEW THIS PRODUCTION]

Logophilia
by playgoer
Wednesday, November 23, 2016
4.0
Eric Overmyer’s "On the Verge, or the Geography of Yearning" uses dense, poetic language and arcane, sesquipedalian terms to situate us in the nineteenth century milieu in which the play starts. It’s off-putting to many audience members (the ones who leave at intermission). For those whose eyes don’t glaze over at the language, the play has many pleasures to reveal.

Carolyn Cook’s staging makes splendid use of John Nooner’s inventive scenic design. Flowing curtains spill onto the stage and they, along with a few basic cubes, form the landscape that the three female explorers traverse. MC Park’s many props help to populate the space, and Elizabeth Rasmusson’s costumes do a wonderful job of setting the time period(s). Alex Riviere’s lighting design highlights the action with smooth precision. For the most part, the staging suggests a barebones black box production whose scale has been blown up to fill the large Georgia Ensemble Theatre stage.

The three actresses (Park Krausen, Keena Redding Hunt, and Michelle Pokopac) all do splendid work, speaking their many lines clearly and detailing the characteristics of their roles with equal clarity. Topher Payne has the task of portraying all the other characters of the story. He is perhaps less of a chameleon in looks than the roles might suggest, but he makes them distinct. (Gawky teen Gus was my favorite of his roles.)

Aside from being a tad on the long side, "On the Verge" suffers from a lack of wackiness. The script puts the explorers in unfamiliar situations often bordering on the absurd, but there is a sort of reverence that pervades the production. Near the start of the second act, a collection of assorted objects descend on wires. I found myself thinking that this was the fun element the show needs more of. Then the objects flew back up and disappeared and the near-reverential tone returned.

Georgia Ensemble Theatre’s "On the Verge" presents the script as if it’s something good for us. And it is good, but the slightly intellectual tone doesn’t give it mass appeal. The production is easy to admire, but somewhat more difficult to adore. [POST A COMMENT REGARDING THIS REVIEW]


[REVIEW THIS PRODUCTION]

OPENING SOON
BattleActs! November 2018
Laughing Matters
ParaNoirmal Encounters - A Conjuration Performance
by Paige Steadman, David Benedict
Atlanta Radio Theatre Company
CLOSING SOON
BattleActs! November 2018
Laughing Matters
Dry Land
by Ruby Rae Spiegel
Atlanta Theatre Club
Fruitcakes
by Julian Wiles
The Front Porch Players
Not About Heroes
by Stephen MacDonald
Aris
ParaNoirmal Encounters - A Conjuration Performance
by Paige Steadman, David Benedict
Atlanta Radio Theatre Company
Reykjavik
by Steve Yockey
Actor's Express
The Importance of Being Earnest
by Oscar Wilde
Players Guild @ Sugar Hill
NOW PLAYING
A Man for All Seasons
by Robert Bolt
The New American Shakespeare Tavern
Daddy Long Legs
by John Caird (book) and Paul Gordon (songs)
The Legacy Theatre
Dry Land
by Ruby Rae Spiegel
Atlanta Theatre Club
Fruitcakes
by Julian Wiles
The Front Porch Players
It is Beginning to Look A Lot Like Murder
by Ryan Girard
Agathas: A Taste of Mystery
Junie B. Jones Is Not a Crook
by Allison Gregory
Georgia Ensemble Theatre
Midnight at the Masquerade
by The Murder Mystery Company
The Murder Mystery Company in Atlanta
Not About Heroes
by Stephen MacDonald
Aris
Reykjavik
by Steve Yockey
Actor's Express
Sanders Family Christmas
by Connie Ray and Alan Bailey
Main Street Theatre Tucker
The Importance of Being Earnest
by Oscar Wilde
Players Guild @ Sugar Hill

©2012 TheaterReview.com. All rights reserved.